| ART
282 Introduction to Art & Technology Spring 2002 |
UMBC Visual Arts Department 2:30pm- 4:20pm (FA 306) See Lab Schedule |
|
Go directly to the lecture schedule. Ingrid Ankerson, ingrid@umbc.edu Bridget Hanlon, bhanlo1@umbc.edu |
Professor Lisa
Moren Office Hour: Tues
9-10am |

Course
Description + Objectives
This
course emphasises a conceptual and cultural study for understanding
computer art practices. This course offers students the foundation
necessary for working with computers in the context of the Visual
Arts field of study. Students will be introduced to the history,
theory and practice of technology in art, while creating art forms
such as World Wide Web pages, digital images, 2-dimensional animations,
and digital film output. All technical objectives are directly
related to problem solving within an artistic/conceptual framework.
Lectures, readings, discussions, examples of projects, as well
as hands-on computer demonstrations will provide a foundation
for the development of long-term skills in digital media. ART
282 is not a software training course. The computer shall
be explored as a tool for artists in an Intermedia practice.
No previous experience with computers is required. However, ART
210 Visual Concepts is required as a prerequisite and you
must be a declared Visual Arts Department major. Please note that
students must adhere to the policies of the Visual Arts Department
and the University Computing Service regarding the Macintosh and
SGI computer labs. Failure to do so will result in the student
losing access to the ECS and Visual Arts Department Labs.
The Lecture
+ Lab Format
The
Lectures will emphasize technology as a product of cultural and
will examine technology as motivated by particular historic contexts.
The computer will be examined as a vehicle which extends the body
and ideas. Alternatively, we will examine artistic practice within
particular historical moments to demonstrate the way art influences
both technology and culture. New and emerging artworks such as
interactive performance, hypertext, sound and multi-media installation,
virtual reality, artificial life, cyborgs and robotics will be
presented to the class during lectures. A consideration of art
historical and contemporary developments shall be key to developing
creative flexibility and critical thinking skills.
Lab exercises will utilize computer tools and their interfaces to explore concepts surveyed during lectures. The basics of the operating systems for Macintosh and UNIX platforms, and file management, file formats, RAM, bit depth, color, resolution, etc. will be instructed in lecture and in lab sections. Students will apply their technical and conceptual skills to a variety of output including email exchanges, World Wide Web authoring, digital image collage, 2-dimensional animation, and slide projection works. Members of the class will also be required to participate in discussions of topics and the text related to the course in lectures, labs, and through virtual forums such as email and listserv postings.
Lab
Meetings
[0273]
0102 Monday 4:30pm- 6:20pm (ECS 336) Ingrid Ankerson
[0272] 0101 Tuesday 9:00am-10:50am (ECS 336) Bridget Hanlon
[0275] 0104 Wesnesday 4:30pm- 6:20pm (ECS 336) Ingrid Ankerson
[0274] 0103 Thursday 9:00am-10:50am (ECS 336) Bridget Hanlon
Requirements
1) Projects
2) Lab Exercises -- take-home and in-class assignments
3) Participation -- Listserv responses to course materials
4) Attendance
Projects
+ Grading
Students
will be graded by letter on all collected or evaluated work. Work
must be completed on time and in full satisfaction of each project
goal. Late work (assignments handed in after the start of in-class
critique sessions) will be automatically downgraded by one letter
grade. An Incomplete can only be assigned to students with a passing
record unable to complete work due to some unforeseeable serious
illness or personal tragedy. Non-allowable excuses include job
related assignments or workloads from other courses. Students
must assume responsibility for preparing all necessary incomplete
status paperwork for faculty signature and for submission to the
department.
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| A | Well above the expectations of the course. Outstanding participation, attendance, and mastery of conceptual skills as well as tools. |
| B | Above average assignments and mastery of concepts, tools and materials, good participation. |
| C | Average execution of assignments, adequite understanding of concepts, tools, average participation. |
| D | Below the expectations of the course, poor grasp of concepts, tools and materials, little participation in critiques. |
| F | Unsatisfactory work, failure to grasp concepts, unsatisfactory attendance and participation in critiques. |
Attendance
ART
282 is a very demanding course. Please note that three or more
unexcused absences from lecture or labs may result in the failure
of Art282. The faculty and lab Instructors will pass out attendance
sheets at the start of every lecture and lab. Two unexcused late
arrivals or early departures will be marked as the equivalent
of one absence. Absence from a class does not excuse skipping
a tutorial, reading assignment, or project. Students are fully
responsible for completing work.
Readings
Critiques will frequently be initiated from various topics covered
in the text. In order to participate effectively you will need
to have read the text and be able to articulate your response
to it within the context of class discussion and critique.
Supplementary Texts
"Dreamweaver 4 for Windows and Macintosh: Visual QuickStart
Guide," J. Tarin Towers, Peachpit Press
"HTML 4 for the World Wide Web, Fourth Edition: Visual QuickStart
Guide," Elizabeth Castro, Peachpit Press
"Learning the UNIX Operating System, 4th Edition," Jerry
Peek, Grace Todino & John Strang, O'Reilly and Associates
"The Little Mac Book (Little Mac Book, Ed 6)," by Robin
Williams, Peachpit Press
"Photoshop 6 for Windows and Macintosh Visual Quickstart
Guide," by Elaine Weinmann and Peter Lourekas. Peachpit Press
Supplies
Zip disks (UMBC Bookstore)
Stereo headphones, (Walkman type OK)
Stereo mini-plug (3.5 mm) to RCA stereo plugs
SCHEDULE
Please note: this schedule is subject to revision and may be modified
during the quarter.
Reading and viewing assignments are listed each week.
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|
WEEK 1 January
28 Take home: Screen: EARLY COMPUTER
HISTORY URLs: Jacquard
Loom |
WEEK 7 March 11 From ARPAnet to Internet ||| DARPA, SATNET, radio packet, NSFnet, Milnet, Alohanet, internet, Internet ||| TCP/IP, Packet Switching, Telnet, Ethernet, Domain Names ||| JCR Licklider, BBN (Cerf, Kahn), Robert Metcalfe, Tim Berners Lee/CERN ||| William Gibson, Atlas of Cyberspace, Rhizome, Code_Zebra Video: Nerds A Brief History of the Internet (excerpt) Nerds Timeline Hackers
History Mapping the Internet |
|
WEEK 2 February
4 Reading: A Book
of Surrealist Games Screen Chance Poetry
Generators: Big Dave's MadLib GameEvents.html Related Sites |
WEEK 8 March 18 Critiques in Lab, no lecture.
SPRING BREAK |
|
WEEK 3 February
11 Online , FTP, tutorials Online Tutorials:
What
is HTML?
|
WEEK 9 April 1 Tim Berners Lee/CERN ||| Rhizome, Code_Zebra ||| Rubber Stamp Tool ||| Revision History and Photographic Deception ||| Live Video Processing, Library of Congress Mapping the Internet Revision History/Truth
in Photography |
|
WEEK 4 February 18 Random Navigation
||| Simultaneous Interface ||| Text, Color & Non-Linear Narrative|||
Chance and Navigation in Hypertext ||| Text in Photoshop, Anti-Alias
||| Feathering, Knockout, Vignettes ||| Tolerance ||| Exquisit
Corpse Text & Color
(Anti-Aliasing) Ursonate de Kurt Schwitters Installation Equisite Corpse Definition Corpse Generator by Matt Teigen, Student work |
WEEK 10 April 8 Digital Cinema ||| Flash Animations ||| History of Computer Graphics, Stan Van Der Beek, Bell Labs, Siggraph ||| Demo: Scanning Screen Live Processing Student Pages Concrete Poetry
||| Non-Linear Narratives Teetering
|
|
WEEK 5 February 25 Culture Jamming ||| Readymades ||| Barbara Krugar, Jenny Holzter, Fall into the Gap, Guerrilla Girls||| @rtmark, etoy, Mama, (BLO), Barbie Liberation Organization ||| etoy |
WEEK 11 April 15 Demo: Digital Camera ||| Automotons, Robota, Metropolis, Science Fiction ||| Cybernetics, Artificial Intellegence Screen |
|
WEEK 6 March 4 Origins of the Internet (part 1) ||| Sputnik, ARPA, ARPAnet ||| The Mouse ||| Vannever Bush, Ted Nelson, Doug Engelbart, JCR Licklider ||| Hypertext, Global Village, The Media is the Message/Mesage Video: Dr. Strangelove
(excerpt) Nerds Timeline MEMEX |
WEEK 12 April 22 POST HUMAN: Robots, Androids, Cyborgs ||| Abject, J Kristeva ||| Harold Cohen, Keith Piper, Eduardo Kac, Orlan, Stelarc Screen: Harold Cohen on Aaron; Synthetic Pleasures on Orlan Orlan
Brief Overview Genisis into Morse Code |
|
WEEK 13 April 29 Interactivity ||| Review: Distributed Cognitive Systems + Automation ||| Simulation/Hyper-reality ||| Jean Baudrillard, Katherin Hayles, Chris Csikszentmihalyi, Natalie Jeremijenko, David Rokeby, Christa Erickson, Tiffany Holmes, George Burres Miller Screen: Artists Video's including David Rokeby 1800's Automation (Review) |
WEEK 14 May 6 Sound, Audio Art, Sound Machines ||| Therimen ||| John Cage |