ART 282
Introduction to Art & Technology
Spring 2002
UMBC
Visual Arts Department
2:30pm- 4:20pm (FA 306)
See Lab Schedule

Go directly to the lecture schedule.

Ingrid Ankerson, ingrid@umbc.edu
Office Hour by Appointment Weds: 1-2pm

Bridget Hanlon, bhanlo1@umbc.edu
Office Hour by Appointment Only: Thurs 11-12

Professor Lisa Moren
Assistant Professor of Visual Arts,
Office 338a

Office Hour: Tues 9-10am
lmoren@gl.umbc.edu



 

Course Description + Objectives
This course emphasises a conceptual and cultural study for understanding computer art practices. This course offers students the foundation necessary for working with computers in the context of the Visual Arts field of study. Students will be introduced to the history, theory and practice of technology in art, while creating art forms such as World Wide Web pages, digital images, 2-dimensional animations, and digital film output. All technical objectives are directly related to problem solving within an artistic/conceptual framework. Lectures, readings, discussions, examples of projects, as well as hands-on computer demonstrations will provide a foundation for the development of long-term skills in digital media. ART 282 is not a software training course. The computer shall be explored as a tool for artists in an Intermedia practice.

No previous experience with computers is required. However, ART 210 Visual Concepts is required as a prerequisite and you must be a declared Visual Arts Department major. Please note that students must adhere to the policies of the Visual Arts Department and the University Computing Service regarding the Macintosh and SGI computer labs. Failure to do so will result in the student losing access to the ECS and Visual Arts Department Labs.


The Lecture + Lab Format
The Lectures will emphasize technology as a product of cultural and will examine technology as motivated by particular historic contexts. The computer will be examined as a vehicle which extends the body and ideas. Alternatively, we will examine artistic practice within particular historical moments to demonstrate the way art influences both technology and culture. New and emerging artworks such as interactive performance, hypertext, sound and multi-media installation, virtual reality, artificial life, cyborgs and robotics will be presented to the class during lectures. A consideration of art historical and contemporary developments shall be key to developing creative flexibility and critical thinking skills.

Lab exercises will utilize computer tools and their interfaces to explore concepts surveyed during lectures. The basics of the operating systems for Macintosh and UNIX platforms, and file management, file formats, RAM, bit depth, color, resolution, etc. will be instructed in lecture and in lab sections. Students will apply their technical and conceptual skills to a variety of output including email exchanges, World Wide Web authoring, digital image collage, 2-dimensional animation, and slide projection works. Members of the class will also be required to participate in discussions of topics and the text related to the course in lectures, labs, and through virtual forums such as email and listserv postings.

 

Lab Meetings
[0273] 0102 Monday 4:30pm- 6:20pm (ECS 336) Ingrid Ankerson
[0272] 0101 Tuesday 9:00am-10:50am (ECS 336) Bridget Hanlon
[0275] 0104 Wesnesday 4:30pm- 6:20pm (ECS 336) Ingrid Ankerson
[0274] 0103 Thursday 9:00am-10:50am (ECS 336) Bridget Hanlon


Requirements
1) Projects
2) Lab Exercises -- take-home and in-class assignments
3) Participation -- Listserv responses to course materials
4) Attendance


Projects + Grading
Students will be graded by letter on all collected or evaluated work. Work must be completed on time and in full satisfaction of each project goal. Late work (assignments handed in after the start of in-class critique sessions) will be automatically downgraded by one letter grade. An Incomplete can only be assigned to students with a passing record unable to complete work due to some unforeseeable serious illness or personal tragedy. Non-allowable excuses include job related assignments or workloads from other courses. Students must assume responsibility for preparing all necessary incomplete status paperwork for faculty signature and for submission to the department.
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 A Well above the expectations of the course. Outstanding participation, attendance, and mastery of conceptual skills as well as tools.
 B Above average assignments and mastery of concepts, tools and materials, good participation.
 C Average execution of assignments, adequite understanding of concepts, tools, average participation.
 D Below the expectations of the course, poor grasp of concepts, tools and materials, little participation in critiques.
 F Unsatisfactory work, failure to grasp concepts, unsatisfactory attendance and participation in critiques.

 

 

Attendance
ART 282 is a very demanding course. Please note that three or more unexcused absences from lecture or labs may result in the failure of Art282. The faculty and lab Instructors will pass out attendance sheets at the start of every lecture and lab. Two unexcused late arrivals or early departures will be marked as the equivalent of one absence. Absence from a class does not excuse skipping a tutorial, reading assignment, or project. Students are fully responsible for completing work.


Readings
Critiques will frequently be initiated from various topics covered in the text. In order to participate effectively you will need to have read the text and be able to articulate your response to it within the context of class discussion and critique.


Supplementary Texts
"Dreamweaver 4 for Windows and Macintosh: Visual QuickStart Guide," J. Tarin Towers, Peachpit Press
"HTML 4 for the World Wide Web, Fourth Edition: Visual QuickStart Guide," Elizabeth Castro, Peachpit Press
"Learning the UNIX Operating System, 4th Edition," Jerry Peek, Grace Todino & John Strang, O'Reilly and Associates
"The Little Mac Book (Little Mac Book, Ed 6)," by Robin Williams, Peachpit Press
"Photoshop 6 for Windows and Macintosh Visual Quickstart Guide," by Elaine Weinmann and Peter Lourekas. Peachpit Press

Supplies
Zip disks (UMBC Bookstore)
Stereo headphones, (Walkman type OK)
Stereo mini-plug (3.5 mm) to RCA stereo plugs


 


SCHEDULE
Please note: this schedule is subject to revision and may be modified during the quarter.

Reading and viewing assignments are listed each week.
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WEEK 1 January 28

Introduction, registration matters, syllabus, introduction of teaching assistant

Take home:
ART 282 Computer Geek Survey (due in next weeks lecture)

Screen:
The Machine that Changed the World: Giant Brains

EARLY COMPUTER HISTORY URLs:
Timeline from the Virtual Museum
Historic Computer Images (ENIAC)
MicroComputer TimeLine

Jacquard Loom
Jacquard Loom (punch cards)
The Charles Babbage Research Institute
Charles Babbage The Industrialist


ENIAC's Family Tree
The ENIAC Story

WEEK 7 March 11

From ARPAnet to Internet ||| DARPA, SATNET, radio packet, NSFnet, Milnet, Alohanet, internet, Internet ||| TCP/IP, Packet Switching, Telnet, Ethernet, Domain Names ||| JCR Licklider, BBN (Cerf, Kahn), Robert Metcalfe, Tim Berners Lee/CERN ||| William Gibson, Atlas of Cyberspace, Rhizome, Code_Zebra

Video: Nerds A Brief History of the Internet (excerpt)

Nerds Timeline
Little History of the WWW
Hypertext

Hackers History
Phone Phreaking
Apple History
Internet Glossary (Nerds Jargon Page)
Internet History: TCP/IP

IP Address System
World Wide Web: Cern, TB Lee

ICANN (The Internet Corporation for Assigned Names and Numbers)
IANA (Internet Assigned Numbers Authority)

Mapping the Internet
Network War in Yugoslavia (mpg)
An Atlas of Cyberspace
Internet Map Gallery (Bell Labs)

Starry Night by Rhizome
Code Zebra

WEEK 2 February 4

Collect: Computer Geek Survey. Review calculation machines: abacus to ENIAC ||| Pixel Depth: Bits+Bytes; CPU: Central Processing Unit; MEMORY: RAM+Hard Drive ||| Random Access Memory; Stream of Consciousness; Automatic Writing; Chance Operations within Dada and Surrealist Games ||| Take home: Exquisite Corpse or "Chance Operations" poetry email text project. ||| Labs: Using Pine for Email

Reading: A Book of Surrealist Games

Screen
Excerpt: Robots (Automotons + 19th cent) 15min

Chance Poetry Generators:
AUTOMOTISM + CHANCE
How to Make a Dadaist Poem, by T. Tzara

Big Dave's MadLib GameEvents.html
BioSynth by Matt Tiegen
William Buroughs Cut Up

Corpse Generator by Matt Tiegen

Related Sites
The Dada Server
The International Dada Archives
ubuweb

WEEK 8 March 18

Critiques in Lab, no lecture.

 

SPRING BREAK

WEEK 3 February 11

Dadaism ||| Collage, Montage and Chance
||| Basics of UNIX, FTP, File Management + File Hierarchy ||| Labs: Dreamweaver Tutorial ||| Take home: Text-based WWW publication, 3 pages minimum, linear, hypertext, or META driven

Online , FTP, tutorials
The structure of your WWW site.

Online Tutorials:
UNIX
UNIX Tips+Protocols

Fetch
Directory and Naming
Illegal Interface

What is HTML?
Barebones Guide to HTML
UMBC OIT HELP

UMBC Student Pages

 

 

WEEK 9 April 1

Tim Berners Lee/CERN ||| Rhizome, Code_Zebra ||| Rubber Stamp Tool ||| Revision History and Photographic Deception ||| Live Video Processing, Library of Congress

Mapping the Internet
Network War in Yugoslavia (mpg)
An Atlas of Cyberspace
Internet Map Gallery (Bell Labs)

Starry Night by Rhizome
Code Zebra

Revision History/Truth in Photography
John Heartfield
Ectoplasm Photography
Séance Ectoplasm
Mediums
Timothy O'Sullivan, Gettysburg
The Getty:
Gettysburg

Sports Illustrated
National Geographic/Sports Illustrated
Governor Anne Richards,
Texas Weekly

OJ Simpson, Time Magazine
Digital Image Lecture Notes
145 Covers of 911
Poynter ethics of 911 (2 photos)
Gettysburg Union+Confederate
Does the Camera Ever Lie?

Revision History, Johnny DeKam

WEEK 4 February 18

Random Navigation ||| Simultaneous Interface ||| Text, Color & Non-Linear Narrative||| Chance and Navigation in Hypertext ||| Text in Photoshop, Anti-Alias ||| Feathering, Knockout, Vignettes ||| Tolerance ||| Exquisit Corpse

Limbiferous
Ghost Cities

h|u|m|b|o|t
King.dom
teleportacia

Frames my boyfriend came back from the war

Text & Color (Anti-Aliasing)
anti-aliasing

Ursonate de Kurt Schwitters
Letter Styles
Legibility, Kerning
Computer Styles, Font Families
vice versa by Dick Higgins
Color Harmony Blue
Color Harmony Red
Color Harmony Gray, Value+Legibility

Almost and Red by Cyriaco Lopes Pereira
Venus (Blind) by Vuc Cosic (listen)
Solstice "The Sky" (ciel)
Tables, non-tables

Horizontal Scroll (Solstice, Tuba)
Vertical Scroll (Solstice, Steeple, Misconnected, Down, Water)

Orit

Antenna Design

Installation
Woven Presents

Equisite Corpse

Definition
How to..
RepoHistory
RepoHistoryIndexed

Deep Machines
Text Archive
Pen+Ink Corpses

Corpse Generator by Matt Teigen,

Student work
image 1, image 2, image 3, image 4, image 5, image 6, image 7, image 8, image 9, image 10, image 11, image 12, image 13, image 14, image 15, image 16, image 17

WEEK 10 April 8

Digital Cinema ||| Flash Animations ||| History of Computer Graphics, Stan Van Der Beek, Bell Labs, Siggraph ||| Demo: Scanning

Screen
Len Lye "Free Radicals"
The Story of Computer Graphics

Live Processing
Revision History, Johnny DeKam
Stan VanDerBeek

Student Pages
Sue Huang
Unknown
Illiah Annof
Unknown
C Mendoza

Concrete Poetry ||| Non-Linear Narratives
Story
Bembo Zoo
Victoria's Secret
The Dreamlife of Letters

Teetering
Round (nw)
Heaping Portion
Yugo (nw)
Pushkin (nw)
Walking (nw)
Requim for a Dream

 

WEEK 5 February 25

Culture Jamming ||| Readymades ||| Barbara Krugar, Jenny Holzter, Fall into the Gap, Guerrilla Girls||| @rtmark, etoy, Mama, (BLO), Barbie Liberation Organization |||

etoy
@rtmark
adbusters, uncommercials
WTO/gatt
Blowthedotoutyourass.com
Critical Art Ensemble
Satire

WEEK 11 April 15

Demo: Digital Camera ||| Automotons, Robota, Metropolis, Science Fiction ||| Cybernetics, Artificial Intellegence

Screen
History of Robots

WEEK 6 March 4

Origins of the Internet (part 1) ||| Sputnik, ARPA, ARPAnet ||| The Mouse ||| Vannever Bush, Ted Nelson, Doug Engelbart, JCR Licklider ||| Hypertext, Global Village, The Media is the Message/Mesage

Video: Dr. Strangelove (excerpt)
Video: Nerds A Brief History of the Internet (excerpt)

Nerds Timeline
Little History of the WWW
Hypertext

MEMEX
As We May Think by Vannevar Bush
As We May Thing by V Bush, (downloadable)
Vannevar Bush
JCR Licklider
Douglas Engelbart
Ted Nelson
Marshall McLuhan

WEEK 12 April 22

POST HUMAN: Robots, Androids, Cyborgs ||| Abject, J Kristeva ||| Harold Cohen, Keith Piper, Eduardo Kac, Orlan, Stelarc

Screen: Harold Cohen on Aaron; Synthetic Pleasures on Orlan

Orlan Brief Overview
Orlan Comprehensive
Streamingsurgeries.com
Cindy Jackson
Stelarc Brief Overview
Stelarc Comprehensive
Eduardo Kac

Genisis into Morse Code
Morse Code into DNA Sequencing
Genisis Project, E. Kac

 WEEK 13 April 29

Interactivity ||| Review: Distributed Cognitive Systems + Automation ||| Simulation/Hyper-reality ||| Jean Baudrillard, Katherin Hayles, Chris Csikszentmihalyi, Natalie Jeremijenko, David Rokeby, Christa Erickson, Tiffany Holmes, George Burres Miller

Screen: Artists Video's including David Rokeby

1800's Automation (Review)
Professor Nohe's Gag

Afgan Explorer/Robo Reporter
by Chris Csikszentmihalyi
DJ I by Chris Csikszentmihalyi
OneTree by Natalie Jeremijenko
David Rokeby

Technology as Transforming Mirror by David Rokeby
Jean Baudrillard
Plastic Surgery of the Other by Jean Baudrillard
Tasaday

Jorge Luis Borges

 WEEK 14 May 6

Sound, Audio Art, Sound Machines ||| Therimen ||| John Cage