Curriculum Vitae | ||
Department of Music University of Maryland 017B Fine Arts Building 1000 Hilltop Circle Baltimore, MD 21250 U.S.A. |
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Personal
Place of Birth: Teslic, Bosnia-Hercegovina,
Yugoslavia
2001-present: Graduate student, Master of Science Program, Information Systems. University of Maryland Baltimore County, Department of Information Systems. Baltimore. Courses taken:
1996: Ph.D. in Ethnomusicology. University of Maryland Baltimore County, Department of Music, Program in Ethnomusicology. Baltimore. Dissertation: "Discourse on Three Teravih Namaz-s in Istanbul: An Invitation to Reflexive Ethnomusicology" 1986: B.A. in Ethnomusicology. University of Sarajevo, Music Academy. Sarajevo, Yugoslavia. Thesis: "Pitanje ritma u vokalnoj tradicionalnoj muzici Bosne i Hercegovine - na primjeru 15 napjeva sa Banje Vrucice" / "Issues of Rhythm in Vocal Traditional Music of Bosnia-Hercegovina - Fifteen Tunes from Banja Vrucica" 1979: B.A. in Music Theory and Pedagogy. University of Sarajevo, Music Academy. 1978-1980: Part-time student. University of Beograd, Faculty of Philosophy. Beograd, Yugoslavia. |
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Themes and Areas of Specialization
Music in Turkey, Iran, Central Asia, Arab Countries • Music in Southeastern Europe (Former Yugoslavia) and the Balkans Music and Islam: Tasavvuf (Sufi) and Mosque Music in Turkey and the United States of America • National Muslim Cultures and Transnational World Trends • Makams, Turkish music modes, in theory and practice Music and Christian Rituals: Orthodox Liturgy (Serbian, Russian, American, Greek, Syrian in the U.S. and Turkey) • Catholic Mass (U.S.) • Protestant Services: Episcopalian, Methodist, Lutheran, Baptist, Pentecostal (U.S.) Music and Jewish Rituals: Orthodox Hasidic, Reconstructionist, Reform Popular, Techno Pop, and Computer-generated Music, Music in Radio and TV Commercials, Music Industry Music, Ethics, Power, Politics Theory and Philosophy of Ethnomusicology: Anthropological, Sociological, Philosophical, Historical Approaches Ethnomusicology and Theories of Practice, Memory, Identity (Self, Other), Body |
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Teaching Experience
1991-present: University of Maryland Baltimore County (UMBC), Department of Music, Baltimore. Instructor. 2000 Fall: Gettysburg College (GC), Department of Music, Gettysburg, Pennsylvania. Adjunct Assistant Professor. 2000 Spring: University of Maryland (UM), School of Music, Graduate Studies in Ethnomusicology, College Park. Lecturer. 1999 Spring: The College of William and Mary (W&M), Department of Music, Williamsburg, Virginia. Adjunct Assistant Professor. 1997 Fall: Towson University (TU), Department of Music, Towson. Adjunct faculty. 1987-1991: University of Maryland Baltimore County, Department of Music. Teaching assistant. 1979-1983: Gimnazija (high school), Teslic , Yugoslavia. Music teacher. |
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Courses Taught
Graduate Undergraduate Other Prepared but not Taught Graduate Courses |
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Invited Lectures
1999 Fall: University of Maryland, School of Music, Graduate Studies in Ethnomusicology, College Park. Lecture: "Eastern Europe as Islamic Bridge." Course: Music in World Cultures II (MUET433). Invited by Carolina Robertson. 1998 Spring: University of Zagreb, Music Academy, and Croatian Musicological Society. Zagreb, Croatia Lectures: "Sufi Rituals, Music, Friendly Discourse (sohbet), and the State Politics in Turkey." Invited by Svanibor Pettan. 1998 Spring: University of Sarajevo, Music Academy. Sarajevo, Bosnia-Hercegovina. Lectures: "Sufi Rituals, Music, Friendly Discourse (sohbet), and the State Politics in Turkey." 1997 Spring: University of Virginia, Department of Religious Studies. Charlottesville, VA. Lecture: "The Not- forgetting of God in Istanbul: Practicing Music and Moving the Body in the Cerrahi Zikir and Sufi Gatherings." Course: Islamic Mysticism (RELI312). Invited by Abdulaziz Sachedina. 1997 Spring: The College of William and Mary, Department of Music. Williamsburg, VA. Lecture: "Ethics and Aesthetics in Muslim Ritual Worship: Mosque and Tasavvuf (Dervish) Music in Turkey." Course: Music of the Middle East (MUS300). Invited by Anne Rasmussen. |
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Invited Teaching Position
2000 Spring: Johns Hopkins University (JHU), Zanvyl Krieger School of Arts and Sciences, Part-time Graduate Programs, Master of Liberal Arts, Baltimore. Lecturer. Contract canceled due to lack of enrollment. 1999 Fall: The Peabody Conservatory of Music (PC), Department of Musicology, The Peabody Institute, Johns Hopkins University, Baltimore. Adjunct Faculty. Contract canceled due to lack of enrollment. 1999 Spring: Istanbul Technical University, Institute of Social Sciences. Istanbul, Turkey. Visiting professor. Declined. |
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Other Professional Experience
1994-1996. U.S. Department of State. Washington, D.C. Contract translator (English / Serbo-Croatian). 1992-1995. Voice of America and Worldnet, United States Information Agency. Washington, D.C. Translator/Broadcaster. 1983-1987. Radio-Television Sarajevo • Oslobodjenje (daily newspaper) • Odjek (Journal for Culture, Science and Art). Sarajevo. Music program broadcaster and music critic/reviewer • Conductor of the city mixed choir and high school choir. Teslic, Yugoslavia. |
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Grants, Awards, and Honors
1997-1998. National Endowment for the Humanities / American Research Institute in Turkey. Post-doctoral Fellowships for Research in Turkey. Six months. 1996. Moses Asch Scholarship, Washington, D.C. 1991-1995. University of Maryland Graduate School, Baltimore. Graduate Merit Award. 1991-1992. Institute of Turkish Studies, Washington, D.C. Dissertation Writing Grant. 1989. Turkish Ministry of Transportation, Ankara. Round-trip ticket for summer research in Turkey. 1988. Graduate Student Association, UMBC. Fieldwork Financial Support. 1987-1991. University of Maryland Baltimore County. Teaching Assistantship. |
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Fieldwork
1999-present. United States. Synagogue Music and Jewish Rituals. The Tiferes Yisroel Congregation, an Orthodox (Hasidic) Ashkenazi synagogue, Baltimore; other synagogues in the Baltimore metropolitan area; the Beth El Reconstructionist Synagogue, Williamsburg, Virginia. 1997-present. United States. Music, Liturgy, Religion. Orthodox (American, Serbian, Russian, Greek), Catholic, and Protestant (Baptist, Episcopal, Lutheran, Methodist, Pentecostal) churches in Pennsylvania (Pittsburgh), Washington, D.C., and Maryland (Baltimore, Greenbelt, Glyndon). 1997-1998. Turkey. Research project: "Religious Musical Trends in Contemporary Turkey: Deconstructing Orientalism." Tasavvuf and Mosque Music. Istanbul. December 1997 — July 1998. 1997. United States. Music, Liturgy, Religion. Orthodox (American, Serbian, Russian, Greek) and Catholic churches in Pittsburgh, PA, Washington, D.C., Baltimore, MD. 1991. Turkey. Mosque andTasavvuf Music. Ankara, Erzurum, Istanbul, Kars, Konya. January — July. 1990-1991. United States. Hare Krishna and the Kirtan Ritual Worship. Catonsville and Potomac, MD, and Philadelphia, PA. 1988-1990. Turkey. Religious Music. Ankara, Istanbul, Izmir, Kalecik (Ankara), Kumru (Ordu), Yumurtalik (Adana), Van, Diyarbakir. Summers. 1987-1989. United States. Reading of the Qur'an. Islamic Society of Baltimore, Masjid al-Rahmah. Baltimore. 1987. United States. Beijing Opera. David Lee's Peking Opera Troupe. Washington, D.C. 1978-1987. Yugoslavia. Traditional Music of Bosnia-Hercegovina. |
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Publications
1999. "Postmodern Tassavuf in Turkey: Beyond Tradition and Modernity." Postdoctoral research report. ARIT Newsletter 27: 5-7 (Spring 1999). 1999. "Davison, Andrew. Secularism and Revivalism in Turkey." Book Review. Middle East Studies Association Bulletin 33(2):219-220 (Winter). 1998. "Mal d'Orientalisme i pozitivnost muzike i vjere u Turskoj." Muzika 2(4/8): 40-82. 1997. "Positivity of Music and Religion in Turkey." Narodna Umjetnost 34(1):147-178 (Zagreb, Croatia). 1994. "Reading the Book." Book review/essay of two volumes of H. Myers' Ethnomusicology. Ethnomusicology Research Digest (ERD, Internet Forum) 172, 173, 175. 1991. "Topical Peculiarity of Terminology in the Reading of the Kur'an in Turkey." Turkish Music Quarterly 4(1):1-8. 1990. "Markoff, Irene Judyth. Musical Theory, Performance and the Contemporary 'Baglama' Specialist in Turkey." Book review. Turkish Music Quarterly 3(2-3):8-11. 1989. "Reinhard, Kurt und Ursula. Musik der Türkei." Book review. Yearbook for Traditional Music 21:131-133. 1985. "Odnos metra teksta i ritma melodije - pitanje njihove podudarnosti" ("Relationships Between Meter of Text and Rhythm of Melody"). Zbornik radova 32. Kongresa SUFJ. Sombor 1985:483-488. Novi Sad (Yugoslavia). |
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Work in Progress
Surgeons of Hearts, Callers of God: How Music, Society, Culture, and Politics Shape the ‘Godly Existence' of the Cerrahi and the Mevlevî Dervishes in Istanbul. Book manuscript. Projected date of finishing the first draft of the manuscript, Spring 2001 "Modernization and Religious and Music Education in Turkey from the late 19th century to the present." An essay manuscript to be submitted for publishing. "Postmoder 'Hip Hopping the Straight Way': How Music, Friendly Discourse, and Politics Shape Sufi ‘Godly Existence' in Istanbul." An essay manuscript to be submitted for publishing. |
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Conference Papers / Presentations
1998. "Honoring Atatürk and Not-forgetting God: How Music, Friendly Discourse, and Politics Shape Sufi ‘Godly Existence' in Istanbul." Paper presented at the Annual Meeting of the SEM. Bloomington, Indiana. 1998. "Respecting Tradition and Keeping an Eye on Inter/Trans-national Global Trends: Tasavvuf Music in Contemporary Turkish Society, Culture, and Politics." Invited presentation. First International Symposium Music in Society. Musicological Society of the Federation of Bosnia-Hercegovina. Sarajevo, Bosnia. 1997. "Mesk or Sitting in the Circle: Practicing Music and Maintaining Culture in Turkey." Paper presented at the Annual Meeting of the MACSEM. Stony Brook, NY. 1996. "Ethnomusicology dans le vrai: Metaphors and Allegories as Tranquilized Sleep." Paper presented at the Annual Meeting of the SEM. Toronto, Canada. 1992. "Namaz, the Ritual Muslim Worship, as a Musical Form." Paper presented at the Annual Meeting of the SEM. Seattle, Washington. 1990. "The Issue of Terminology in the Reading of the Kur'an in Turkey." Paper presented at the Annual Meeting of the MACSEM. Newark, Delaware. 1988. "Qur'anic Recitation in Anatolia." Fieldwork report presented at the Annual Meeting of the SEM. Tempe, Arizona. 1988. "Rhythmic Structuring of the Poetic Meter in Some Folk Tunes from Bosnia-Hercegovina." Paper presented at the Annual Meeting of the MACSEM. Baltimore, Maryland. Paper also presented at the Annual Graduate Student Research Day. UMBC, Baltimore. 1987. "Transcription and Analysis of Rhythm in Their Relation to Form." Paper presented at the 10th Working Days of the Study Group for Systematization and Analysis of Folk Music, ICTM. Freiburg i.Br., West Germany. 1986. "Transkripcija kao deskriptivni metod pri analizi tradicionalne muzike" ("Transcription as Descriptive Method in the Analysis of Traditional Music"). Paper presented at the 33rd Congress of the SUFJ (Savez udruzenja folklorista Jugoslavije, "Union of Associations of Yugoslav Folklorists"). Pristina, Kosovo, Yugoslavia. 1985. "Odnos metra teksta i ritma melodije - pitanje njihove podudarnosti" ("Relationships Between Meter of Text and Rhythm of Melody"). Paper presented at the 32nd Congress of the SUFJ. Sombor, Vojvodina, Jugoslavija. Other Music Writings and Creative Media Work 1986. That Wonderful Monster of Time. Music Film on Croatian composer and author Dubravko Dettoni. Arsa Jovanovic, director. Dane Kusic, co-author and script writer. TV Sarajevo. VHS video, 45 min. 1983-1987. Author of more than 60 music critiques, reviews, interviews and other music articles in Yugoslav daily newspapers and journals. Author of more than 100 music programs and more than dozen music program cycles in musicology/ethnomusicology, interviews and reviews. Radio and Television Sarajevo. |
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Profession-Related Activities
1999. Fulbright Interview Committee Member. Peabody Conservatory of Music, Johns Hopkins University. Baltimore 1999. Reviewer of an ethnomusicology book manuscript for The McGraw-Hill Companies 1998. Peer Reviewer for Yearbook for traditional Music 1997. Peer Reviewer for Ethnomusicology Online (EOL) 1994-Present. Member, Ethics Committee, Society for Ethnomusicology 1997. Member, Faculty Advisory Board, Asian Arts and Culture Center (AACC). Towson University. Towson, Maryland |
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Instruments and Music Ensembles
Turkish: kanun, zither, kudüm, kettle-drum,
def
and bendir, tambourines
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Professional Associations
1979-present: Society for Ethnomusicology (SEM) International Council for Traditional Music (ICTM) American Musicological Society (AMS) |
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Languages
English, Serbo-Croatian, Turkish -- comprehensive knowledge Ottoman Turkish, Bulgarian, French, German, Italian, Russian -- reading / writing / translating knowledge Arabic, Farsi, Greek, Hebrew, Latin -- reading and some translating knowledge |
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Some of the Courses I Would Love to Teach
Cross-cultural Courses (undergraduate and graduate) Musics of the World. Themes: Music and Religion, Music and Theater, Popular Music, Music and Sexuality. Geography: Turkey, Iran, Morocco, China, Indonesia, Nigeria, South Africa, the Americas. Musics, Rituals, Religions: Cultural Study of Religious Musics. Islam: mosque and tasavvuf music. Christianity: American, Serbian, Russian, Greek Orthodox Churches; Catholic and Protestant Churches; Judaism (synagogues); Hinduism (the kirtan of the Hare Krishna Movement in the U.S.) Music, Gender, and Sexuality: Cross-cultural Perspective Topic Seminar Courses (undergraduate and graduate) Musics of Turkey and West and Central Asia Music and Tasavvuf Islam, Orientalism, Balkanism, and Music Musc, Identity and Self as Cultural Constructs Music and Theater: Cross-cultural Perspective. Shadow plays and puppet theaters: Turkish Karagöz, Moroccan Bujlud, Chinese Pi Ying Xi and Beijing Opera, Indonesian Wayang Kulit, Japanese Bunraku, Kabuki, Noh Drama and Shinto ritual, Western Opera World-beats and Popular Soundscapes: National Musics and Transnational Global Trends. Turkish arabesk, Southeast European popular musics (former Yugoslavia, Bulgaria, Albania), Indonesian kroncong and dangdut, Nigerian jùjú, South African isicathamiya and Ladysmith Black Mambazo, Paul Simon's Graceland, the Caribbean zouk, European and American Rave Music Music and the Media: Computerized Sound Effects and Radio and TV Commercials (Turkey and the U.S.) Seminar Courses in Theory of Ethnomusicology (graduate) Introduction to Ethnomusicology • History and Theory of/in Ethnomusicology • Fieldwork and Deskwork in Ethnomusicology Philosophy, Human Sciences and Ethnomusicology • How to Approach Ethnomusicology: Structuralism, Hermeneutics, Phenomenology? • Political Economy of Music • Anthropology and Sociology of Music Best if viewed with: |
Copyright © 2000
by Dane Kusic
University of Maryland Baltimore County, Baltimore, MD 21250 Updated: Sunday, 03-Nov-2002 16:38:38 EST |