Course overview:

This course introduces the computer as a powerful tool for the artist.
We will discuss the many profound effects this machine has had on our practices of making and viewing art. In the first few weeks, we will investigate the process of digital markmaking. Next, we will create digital images in conjunction with an exploration of the issue of photographic credibility in our century. Finally, we will survey the Internet as a forum for art exhibitions, self-publishing and cultural commentary.

Assignments:

Assignments given in class will allow you to practice fundamental imaging skills. The projects are intended to help you see the range of possibilities the computer offers artists working in various disciplines. During critiques, you are expected to demonstrate the ability to discuss your ideas and thinking process with regard to all of your artistic endeavors. Please have work ready on the day specified in the syllabus. Grades for late submissions will be lowered. Projects turned in one week after the due date CANNOT be applied to the final grade.

Attendance:

Class meets on Tuesdays and Thursdays from 9am to 10:50am. We will start class promptly. Each unexcused absence will lower your grade by three points [Eg. If you have a 92 average (A) in the class with two unexcused absences your grade for the class is an 86 (B)]. Chronic lateness will also result in the same (three late arrivals equals one absence). Also, if you are physically present, but do not engage in class discussions, critiques, and demonstrations, this will count against your participation grade (10 points toward your final grade).

Required Materials (Bring DAILY):

Photoshop 4: Visual Quickstart Guide (Peachpit Press) spiral notebook (for ideas, responses to comments in critique, technical notes)
2 floppy disks, Mac formatted
EZ-135 disk ($20.00)