ANTIPODE/2
part of Segue/Überlappen
a collaborative exchange project between faculty and
students of UMBC, Baltimore Maryland, USA, and Fachhochschule Schwabisch
Hall, Germany, June 5-19, 2005.
For two weeks, four faculty and six graduate students
from University of Maryland, Baltimore County worked along side three
faculty and twelve students at the Fachhochschule in the small German
town of Schwabish Hall. Working as five groups, the teams developed
concepts for art works that interpreted and reflected geographic and
cultural comparisons of the two locations, resulting in a presentation
of installation and screen-based works at the Max Kade Gruner Baum
on June 16 and continuing during the Schwabisch Hall International
Film Festival, June 19-20, 2005. |
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ANTIPODE/2
interweaves photography and cartographic process to reconstruct in virtual
space the landscape of two cities juxtaposed within one another.
This mapping process captures not only the structural pattern of the cities,
but the events occurring at moments in time, progressing along the path
taken by the photographer.
This operates as an antithesis to the traditional cursory representation
of maps. It occurs at the street level, recorded visually as seen by the
eye of the observer and then viewed from the originating perspective;
witnessing the flow of pedestrians and traffic, commerce and cultural
activity. It is an "anti-map".
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The
map maker walks through the city taking hundreds of photographs
with a digital camera. Each exposure sends a signal to a microprocessor
that reads the geographic coordinates from a GPS satellite receiver.
An electronic compass and two-axis tilt sensor integrated with the
microprocessor provides local orientation and angle of the camera
as the image is composed in the photographic frame. The resulting
images are then combined and positioned in proportion of the coordinate
date in a three-dimensional space.
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In
this installation the viewer may navigate the maps by manipulating
segmented sections of traditional maps of Schwabisch Hall, Germany,
and Fells Point in Baltimore, Maryland. The map segments of each
town can be transposed upon one another, allowing the viewer to
explore and experience unexpected relationships between the two
distant locations.
The user interface was designed as a "coffee table and couch",
where the viewer could sit and sort through 10x15mm cards illustrating
the map sections. The back of each card is coded with an unique
pattern. As a card is placed on the clear window in the center of
the table, a video camera sends the pattern data to a MAX/MSP/Jitter
patch which in turn sends a midi signal to the computer running
the 3D map animation. |
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The left map is of Schwabisch Hall, with an overlay showing the position
and orientation of each photograph. The map on the right is Fell's Point,
Baltimore and respective images taken on June 1. The scale of areas covered
by the box in each map are identical.
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PROCESS:

The configuration for
capturing the imagery consisted of an integrated system of digital SLR
camera, GPS satellite receiver, tilt sensor, electronic compass, Basic
Stamp2 microprocessor, and Palm Pilot.
The Basic Stamp was programmed to read the incoming serial
data from the GPS receiver, extracting the Latitude, Longitude, and Altitude
information from the data stream. At the same time, the Stamp reads the
current state of the tilt sensor attached to the camera, and the orientation
of the electronic compass in the belt pack worn by the photographer. Each
time an exposure is taken with the camera, the remote trigger signals
the Basic Stamp to send the combined data to the Palm Pilot, which in
turn was running a custom basic program to receive and log the incoming
data.
The logged data was then uploaded to the computer in a tab-delimited text
format. The latitude, longitude coordinates were truncated to the 1/100
of an arcminute and used for X and Z position data in the 3D real-time
rendered visualization, while the altitude data served as the Y axis and
the compass and tilt sensor provided angles for heading, pitch, and bank.
Each digital photgraph was then imported onto a geometric plane in the
3D environment and positioned based on its origin when captured by the
photographer. |
THE
ARTISTS:  |
UMBC:
Alan Price, Associate Professor.
Electronics, Programming, 3D Authoring
Chad Eby, Imaging and Digital Arts Graduate Student.
Programming MAX/MSP/JITTER, Audio |
FHSH:
Olivia Engelen, Student. Digital Photography, map design
Michael Hieke, Student. Digital Photography, map printing, technical
support
Bastian Gretenkord, Student. Digital Photography, map design
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| thanks
to Lynn Cazabon for our title "Antipode" |
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