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Overview: video documentation 2.8 MB Form and Installation: The sound created in Occidio was directly generated by events projected in climate change simulations provided by NASA's Goddard Space Flight Center. Global warming data ranged from the local, such as the distribution of paved and impervious surfaces in Baltimore, to the global, such as the Antarctic Ozone Hole. The theremins used in Occidio modulated sound when light played over a photosensitive receptor. Hue and value changes in the video raised or lowered oscillator pitches to perform different reactive tones; a computer further processed the audio signal with granular synthesis software. The abstract yet elegiac sound generated by Occidio was musical, but also presented an alternative means of interpreting complex scientific data. The work was well received upon its installation in Baltimore, and was featured in a report by Anna Solomon-Greenbaum on a broadcast of National Public Radio's " Living on Earth." Earth Observatory at GSFC Occidio was supported by an Individual
Artists Grant from the Maryland
State Arts Council. For more information please contact: Timothy Nohe |