ETHNOMUSICOLOGY
Dr. Jozef M. Pacholczyk
Room 326, Fine Arts Bldg.
UMBC
Baltimore, Maryland 21228
(410) 455-2942
UMBC, School of Arts and Sciences
Department of Music (EMCY)
Samuel S. Gordon, Chair
Jozef M. Pacholczyk, Graduate Program Director
Professors
Broyles, Michael E.
Gordon, Samuel S.
Hood, Mantle L.
Pacholczyk, Jozef M.
Smith, Stuart S.
Associate Professor
Assistant Professors
Haggh, Barbara H.
Schuyler, Philip D.
Degrees Offered: M.A.; Ph.D. in ethnomusicology. Masters students
may elect a concentration in composition.
Program Description and Specialties: Ethnomusicology is a
systematic approach to the study of music in a cultural context; that
is, the study of music wherever it may be found or at whatever time.
Areas of concentration may also focus on cognate fields of study.
The basis of research for the thesis or dissertation in all fields of
concentration is graduate training in research methods, bibliography
and guided writing, filming and recording, notation and
transcription, and organology.
Information about the program may be obtained by contacting the
Coordinator, Graduate
Program in Ethnomusicology, Department of Music, UMBC, Baltimore,
Maryland, 21228.
Program Admission and Degree Requirements: The admission
requirements and procedures correspond to those set forth by the
Graduate School. Literacy in the history and theory of
Western music is required. The requirements in Western music may
be satisfied either by taking two upper division period courses in
music history and analysis at UMBC or by completing comparable
courses at other institutions with a grade of B or better. In some
cases, when the student has not studied Western music, the
departmental graduate committee may recommend a special
remedial -program.
Requirements for the M.A.: A bachelors degree and a minimum of 30
credits are required with
the following distribution: a) 18 credits in core courses, b) 6
credits of thesis, c) 6 credits chosen from electives in
ethnomusicology. Students may be encouraged to take advantage of
appropriate graduate courses at other University of Maryland System
campuses. A reading knowledge of one pertinent foreign language is
required and proficiency must be demonstrated
by examination prior to the completion of the masters thesis. Upon
completion of the thesis, the final degree examination is given. This
examination is oral and includes both discussion of the thesis and
its relationship to the candidates field of concentration in
ethnomusicology. There is also a non-thesis option for the master's
degree.
Requirements for the Ph.D.: Depending on the area of specialization,
20-25 graduate credits are required by the music department beyond
the master's degree, exclusive of doctoral research (MUSC 899), in
preparation for the qualifying examinations for candidacy to the
Ph.D. In consultation with a graduate committee, the extent and
nature of the course work pursued are determined on the basis of
scholarly background and experience, acceptable performance
proficiency, and the individual interest of the student.
In order to ensure the interdisciplinary preparation necessary for
doctoral research, the student is
required to take at least 6 credits in other departments such as
anthropology, linguistics, dance, theater, history, area studies,
philosophy, and religious studies. Courses related to the research
project may be selected from available courses on all the University
of Maryland System
campuses. Each student must demonstrate a reading knowledge of
two foreign languages, one of which, if appropriate, may be in the
area of scholarly concentration. The qualifying examinations are
written and oral. Students must demonstrate proficiency in their
fields of concentration and in Western music. A description of the
qualifying examinations as well as a statement of procedures that
govern them is available from the program coordinator. Normally
the dissertation will be based on a minimum of one year of
fieldwork.
Facilities and Special Resources: The Department of Music has a
professional recording studio, sound analysis laboratory, automatic
music notator, and extensive collection of musical instruments. In
addition to the resources at UMBC and UMCP, students live in
proximity to Washington, D.C., where excellent library and research
facilities are also available.
Financial Assistance: A limited number of graduate teaching
assistantships, fellowships, and tuition remission grants are
available through the university.
Courses
MUSC 400 Special Projects
Credits: 1
Individual projects in music.
Prerequisite: Approval of project by instructor who will supervise
it.
Note: This course may be repeated for credit, but a student may earn
no more than eight credit hours total in MUSC 400.
MUSC 421 Topics in Music Literature: Instrumental
Credits: 3
An historical survey of the principal types of instrumental music,
including orchestral, chamber, and solo. One area will be selected
for particular study each time the course is offered.
Note: May be repeated for credit with permission.
MUSC 422 Topics in Music Literature: Vocal
Credits: 3
An historical survey of the principal types of vocal music, including
opera, song, and choral literature. One or more areas will be
selected for particular study each time the course is offered.
Note: May be repeated for credits with permission.
MUSC 427 Electronic Music I
Credits: 3
A detailed study of the many aspects of electronic music
composition. Areas covered include "classical studio" techniques of
tape recording and manipulation and, with the use of electronic
music synthesizers, the principles of voltag control, signal
processing, etc.
Prerequisite: Consent of the instructor.
Note: Course is open to all students but requires a taped electronic
music composition as a final project.
MUSC 428 Electronic Music II
Credits: 3
An advanced course in the synthesis of electronic music which
focuses on performance with electronic music synthesizers,
synthesizers interfaced or in conjunction with traditional
instruments, and the use of synthesizers in mixed-media
presentations.
Prerequisite: MUSC 427 or consent of instructor.
Note: A taped composition including synthesizer and traditional
instruments, a live performance, or a mixed-media presentation is
required as a final project.
MUSC 429 Production of Music by Computer
Credits: 3
An overview of major programs in the computer generation of
electronic music with a detailed
study of the programming language SCRIPT. Projects include
creating a musical composition in
the digital studio.
Prerequisite: MUSC 427 or consent of instructor.
Note: A musical composition is required as a final project.
MUSC 430 Musics of the World
Credits: 3
A survey of selected musical cultures of the world (excluding
Western art music) with emphasis
on the musical forms, instruments, tonal material, the role of music
in society, and its relationship to other arts.
MUSC 450 Proseminar in Ethnomusicology
Credits: 3
Study of principal concepts and methods in ethnomusicology.
MUSC 455 Music of the Middle Ages
Credits: 3
An analytic study of the music of the Middle Ages, with emphasis on
the style, genres, and composers of the time.
Prerequisites: MUSC 126 and 255.
MUSC 456 Music of the Renaissance
Credits: 3
An analytic study of the music of the Renaissance, with emphasis on
the style, genres, and composers of the time.
Prerequisites: MUSC 126 and 255.
MUSC 457 Music of the Baroque
Credits: 3
An analytic study of the music of the Baroque, with emphasis on the
style, genres, and
composers of the time.
Prerequisites: MUSC 126 and 255.
MUSC 458 Music of the Classic Era
Credits: 3
An analytic study of the music of the classic era, with emphasis on
the style, genres, and composers of the time.
Prerequisites: MUSC 126 and 255.
MUSC 459 Music of the Romantic Era
Credits: 3
An analytic study of the music of the romantic era, with emphasis
on the style, genres, and composers of the time.
Prerequisites: MUSC 126 and 255.
MUSC 460 Music, Art, and Society of Arabic Near East
Credits: 3
Study of the history, theory, and social function of the various
musical traditions of Arabic Near East and their relationship to
other forms of art.
Prerequisite: MUSC 430 or consent of the instructor.
MUSC 461 Music, Art, and Society of Java
Credits: 3
Study of diverse traditions of Java with emphasis on music, dance,
theater, literature, and history. The students are expected to
participate in one of the Gamelan ensembles (MUSC 310).
Prerequisite: MUSC 430 or consent of the instructor.
MUSC 462 Music, Art, and Society of Bali
Credits: 3
Study of diverse traditions of Bali with emphasis on music, dance,
theater, literature, and history. The students are expected to
participate in one of the Gamelan ensembles (MUSIC 310).
Prerequisite: MUSC 430 or consent of instructor.
MUSC 463 Music, Art, and Society of Persia
Credits: 3
Study of the history, theory, and social functions of the various
musical traditions of Persia and their relationship to other forms of
art.
Prerequisite: MUSC 430 or consent of the instructor.
MUSC 464 Music, Art, and Society of India
Credits: 3
Study of the history, theory, and social function of the various
musical traditions of India and their relationship to other forms of
art.
Prerequisite: MUSC 430 or consent of the instructor.
MUSC 465 Music, Art, and Society of South America
Credits: 3
Study of the history, theory, and social function of the various
musical traditions of South America and their relationship to other
forms of art.
Prerequisite: MUSC 430 or consent of instructor.
MUSC 466 Music, Art, and Society of Central Asia
Credits: 3
Study of the history, theory, and social function of the various
musical traditions of Central Asia and their relationship to other
forms of art.
Prerequisite: MUSC 430 or consent of the instructor.
MUSC 467 Music, Art, and Society of Africa
Credits: 3
A study of the functions and form of traditional and contemporary
music in several African
ethnic groups. The use of instrumentation and voice is studied
through listening and
performance. A class visit to one museum housing these
instruments is required.
Prerequisite: AFAM 245.
Note: Also listed as AFAM 415.
MUSC 468 Afro-Caribbean Music
Credits: 3
The song and dance music of Caribbean countries is studied through
listening and performance. The derivatives of African religious and
cult music found in Haiti, Trinidad and Tobago, and Cuba are
examined. The influences of French and Spanish cultures on the form
and content of Afro-Caribbean songs and dances are also studied.
Prerequisite: AFAM 245.
Note: Also listed as AFAM 442.
MUSC 479 Black Music in the New World
Credits: 3
This is a seminar devoted to topics focusing on particular aspects of
Afro-American, Afro-
Caribbean, and/or Afro-Latin music. The quality, type, and intensity
of Africanisms in the music of a region, a group or an era will be
explored. An intensive examination of the development of new
musical idioms including the reciprocity of African with European
influences. A research paper or project is required.
Prerequisites: AFAM 245 plus junior or senior status, or permission
of the instructor. Repeatable.
Note: Also listed as AFAM 445.
MUSC 481 Music, Art, and Society of China
Credits: 3
Study of the history, theory, and social function of the various
musical traditions of China and their relationship to other forms of
art.
Prerequisite: MUSC 430 or consent of the instructor.
MUSC 482 Music, Art, and Society of Korea
Credits: 3
Study of the history, theory, and social function of the various
musical traditions of Korea and their relationship to other forms of
art.
Prerequisite: MUSC 430 or consent of instructor.
MUSC 483 Music, Art, and Society of Japan
Credits: 3
Study of the history, theory, and social function of the various
musical traditions of Japan and their relationship to other forms of
art.
Prerequisite: MUSC 430 or consent of instructor.
MUSC 484 Music, Art, and Society of Hawaii
Credits: 3
Study of the history, theory, and social function of the various
musical traditions of Hawaii and their relationship to other forms of
art.
Prerequisite: MUSC 430 or consent of instructor.
MUSC 492 Senior Project
Credits: 2
MUSC 497 Senior Seminar
Credits: 2
Examination of special topics concerning musical compositions
being performed, composed, or written about by participants.
MUSC 600 Research Methods, Bibliography and Guided Writings
Credits: 3
Survey of bibliographic material in ethnomusicology. Guided writing
utilizing specific bibliography.
MUSC 601 Seminar in Ethnomusicology
Credits: 3
Advanced seminar in selected topics in ethnomusicology. Topics
change every semester. May
be taken every semester until completion of qualifying examination
for Ph.D. One semester is required for M.A., four semesters are
required for Ph.D. students.
MUSC 603 Seminar in Field and Laboratory Methods in
Ethnomusicology I
Credits: 3
Seminar in basic problems of fieldwork and training in basic skills
such as tape recording, photography, documentary film, and scholarly
documentation.
MUSC 604 Seminar in Field and Laboratory Methods in
Ethnomusicology II
Credits: 3
Prerequisite: MUSC 603.
MUSC 605 Seminar in Organology
Credits: 3
Advanced study of musical instruments of the world.
MUSC 606 Seminar in Music Transcription
Credits: 3
Advanced study of musical notations of the world, training in
transcription of music.
MUSC 607 Seminar in Music Aesthetics
Credits: 3
Advanced study of selected aesthetic systems of the world.
MUSC 608 Seminar in Acoustics
Credits: 3
Advanced study of selected topics in musical acoustics.
MUSC 609 Seminar in Compositional Process
Credits: 3
Advanced study of compositional process in selected musical
cultures.
MUSC 610 Seminar in Musicology I
Credits: 3
MUSC 611 Seminar in Musicology II
Credits: 3
MUSC 612 Graduate Special Projects
Credits: 1-4
Individual projects in music.
Prerequisite: Approval of project proposal by the instructor who
will supervise it.
Note: This course may be repeated for credit.
MUSC 630 Musics of the World
Credits: 3
A survey of selected musical cultures of the world (excluding
Western art music) with emphasis
on the musical forms, instruments, tonal material, the role of music
in society and its relationship to other arts.
MUSC 650 Proseminar in Ethnomusicology
Credits: 3
Study of principal concepts and methods in ethnomusicology.
MUSC 660 Music, Art, and Society of Arabic Near East
Credits: 3
Study of the music of Arabic Near East, its relationship to other
forms of art and its function in society.
MUSC 661 Music, Art, and Society of Java
Credits: 3
MUSC 662 Music, Art, and Society of Bali
Credits: 3
MUSC 663 Music, Art, and Society of Persia
Credits: 3
MUSC 664 Music, Art, and Society of India
Credits: 3
MUSC 665 Music, Art, and Society of South America
Credits: 3
MUSC 666 Music, Art, and Society of Central Asia
Credits: 3
MUSC 681 Music, Art, and Society in China
Credits: 3
MUSC 682 Music, Art, and Society in Korea
Credits: 3
MUSC 683 Music, Art, and Society in Japan
Credits: 3
MUSC 684 Music, Art, and Society in Hawaii
Credits: 3
MUSC 690 A-Z Performance Studies: Western Music
Credits: 2-4
MUSC 695 A-Z Performance Practice: Traditional Europe and America
Credits: 2-4
MUSC 696 A-Z Performance Practice: Asia
Credits: 2-4
MUSC 697 A-Z Performance Practice: Africa
Credits: 2-4
MUSC 698 A-Z Performance Practice: Australia and Oceania
Credits: 2-4
MUSC 700 Special Masters Study
Credits: 1-3
MUSC 799 Masters Thesis Research
Credits: 1-6
Research on the masters thesis under the direction of faculty
advisor. Six semester hours are required for the M.A. degree.
MUSC 800 Special Doctoral Study
Credits 1-3
MUSC 899 Doctoral Dissertation Research
Credits: 1-6
Research on the doctoral dissertation under the direction of faculty
advisor. A minimum of 12 semester hours is required for the Ph.D.
degree.