[William Feasley, Classical Guitarist] [The D`Amore Duo] [Concert Schedule] [Recordings] [Reviews] [Table of Contents]
American Sketches
"Washington guitarist William Feasley's new CD, "American Sketches" (Sonora
SO22851CD), includes classical works by Hollywood composers Peter Madlem and
Albert Harris, his own transcriptions of Gershwin preludes and songs,
ragtime music, spirituals and music adapted from Handel and Scarlatti -
music of great variety and vitality - played with with polished
fluency."
-- Joseph McLellan,
The Washington Post |
|
| Composer | Work |
|---|---|
| Peter Madlem (1946 - ) | American Sketches
|
| arr. Peter Madlem | Four Spirituals
|
| Albert Harris (1918 - ) | Variations and Fugue on a Theme of Handel
|
| George Gershwin (1898-1937) (transcribed by William Feasley) |
Prelude 1 Prelude 2 (for Bill Daly) The Man I Love I Got Rhythm Somebody Loves Me I'll Build a Stairway to Paradise |
| William Bolcom (1938 - ) | Graceful Ghost Rag |
| Harry J. Lincoln (1878-1937) | Ragbag |
| Percy Wenrich (1880-1952) | The Skeleton Rag |
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Simplicity
"The little-explored combination of oboe and guitar has managed to
find a small but unique repertory for itself. The sharp,
dark overtones of this kind of ensemble work best with lyrical
modern music, as in Ibert's dramatic Entr'acte, Karl Pilss's
lovely neo-classic Sonatine, and a serious, ruminative piece by
Michael Moriarty (yes, the actor!). Rearranged harpsichord works
by Cimarosa and Couperin also fare well in this setting. Two
folk-clad pieces by classical guitarist Coste composed for such a
combo bubble forth with wit and charm. D'Amore, the young duo
before you, is fine. Vladimir Lande, one-time principal oboist
with the Leningrad Philharmonic, and William Feasley, a late
student of Segovia, bring control and finesse to the music. Only
one other disk of this sort has come my way in 8 years with
ARG -- a German duo on Christophorus -- and D'Amore is
better. If any duo can persuade composers to add to this narrow
yet fascinating field, they can."
-- Ellis,
American Record Guide |
|
| Composer | Work |
|---|---|
| Michael Moriarty (1941 - ) | Simplicity |
| Jacque Ibert (1890-1962) | Entr'acte |
| Karl Pilss (1902-1979) | Sonatine
|
| Napoleon Coste (1806-1883) |
|
| Domenico Cimarosa (1749-1801) | Oboe Concerto
|
| Francois Couperin (1668-1733) |
|
Sound Bites:
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Echoes of Goya |
|
| Composer | Work |
|---|---|
| Fernando Ferandiere |
|
| Fernando Sor | Gran Solo op. 14 |
| Enrique Granados |
|
| Angelo Gilardino | Soledad (Omaggio a Francisco Goya) |
| Mario Castelnuovo-Tedesco | Caprichos de Goya op. 195 (Books 1 & 3)
|
Sound Bites:
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The Fall of BirdsThe Fall of Birds is a collection of works of a wide variety of styles from William Feasley's repertoire; it is only available on cassette. |
|
| Composer | Work |
|---|---|
| Astor Piazzolla | Verano Porteno |
| Carlo Domeniconi (b. 1947) | Variations on A Turkish Theme |
| George Gershwin (1898-1937), arr. Krause | Two Preludes |
| George Gershwin, arr. Feasley | I Got Rhythm |
| Eduardo Lopez Chavarri | Sonata II
|
| Roland Dyens | Tango En Skai |
| Nikita Koshkin (b. 1956) | The Fall of Birds |
| Mauro Giuliani (1781-1829) | Rossiniana, Op. 122 |
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Echoes of Goya, American Sketches, and Simplicity may be ordered from Sonora Productions.
You can order copies of The Fall of Birds directly from feasley@umbc.edu.
[William Feasley, Classical Guitarist] [The D`Amore Duo] [Concert Schedule] [Recordings] [Reviews] [Table of Contents]
You can write to Bill at feasley@umbc.edu.
William Feasley is represented by:
American Artists Management, Inc.
Sophy P.Q. Haynes, President
801 West End Avenue, Suite 12A
New York, NY 10025
212-222-3770
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